The Phantom of the OperaThe Phantom of the Opera at Her Majesty's Theatre, Haymarket, London Based on the classic novel Le Fantôme de l’Opéra by Gaston Leroux, The Phantom of the Opera tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it. He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command. The Phantom of the Opera had its world premiere on October 9, 1986 at Her Majesty’s Theatre in London, winning every major British theatre award including the Olivier and Evening Standard Awards. The New York production opened on January 26, 1988 with a then-record advance of $18 million. The musical went on to sweep the 1988 Tony Awards, winning seven, including Best Musical. The Phantom of the Opera also won seven Drama Desk Awards and three Outer Critics Circle Awards. The original London cast recording was the first in British musical history to enter the charts at number one. It has since gone both gold and platinum in Britain and the U.S., selling over 25 million copies worldwide. The most successful stage musical of all time, The Phantom of the Opera has worldwide ticket sales exceeding $3.2 billion (far surpassing the highest-grossing film of all time, Titanic, which has grossed $1.9 billion worldwide). The winner of seven Tony Awards, including Best Musical, the New York production has been seen by 10 million people. Worldwide, The Phantom of the Opera has been seen by over 100 million people and has consistently played to larger audiences and in longer engagements than any other musical in history. The Phantom of the Opera has music by Andrew Lloyd Webber and is directed by Harold Prince. Lyrics are by Charles Hart (with additional lyrics by Richard Stilgoe) and the book is by Richard Stilgoe and Andrew Lloyd Webber. The Phantom of the Opera has production design by the late Maria Björnson, lighting by Andrew Bridge and sound by Martin Levan. Musical staging and choreography is by Gillian Lynne. Orchestrations are by David Cullen and Andrew Lloyd Webber. |